Читать книгу Selfi americano - Curtis Bauer - Страница 25
One Reason For Your Silence
ОглавлениеNo matter how hard I listen, I can’t hear my wife’s
voice. She lost it outside of town—west of there,
where trains stack up their great barreling chests
and smoke, and the wind whips grass and dust
scatters and fades into some older incarnation.
Once a Polish man told me about his rooms in exile
in a far corner of this country, their proximity
to the noisiest people in the world. Each night
when he sat to his solitary dinner and his books,
the noise of the earth would gather outside
the opposite wall he shared, guiltily. Even the fork
clink scraping across his plate left him. And his
breathing. Once he put his fingers in his ears
as if he were a child swimming inside a summer
pool alone with gaping fish and the song of his hands
through water, the dense thrum of pressure clinging
to him. Even the memory of his stretching chest
left him. He became heartless.
And that was enough
to learn how to stand outside the clamor and bustle
on the other side of a wall. I’ve never owned a sound.
I speak a name and the name is gone. Amnesia
might take this form—the soft tone of some man
seducing a woman is a murmur, a dog barking
to be let out or in only clamor, only noise gathering
and clinging to the walls on the other side. The world
keeps from some even the words on the page,
mute. When some rooms are demolished
their walls must finally give back a bit of beating
sound. Say one of those neighbors stopped
near there with his new wife, called up the child
he once was to show her how far his arm could throw
a rock, hit a sign or maybe the passing train. The train
may have blown its horn and the silence leached out
of the stone ping. The silence was then great between
the horn and his woman, and he needed to throw it away.
The stone hit the train, bounded back and she began
to speak. The train was quiet and stopped in the middle
of this vast flat, engines idling down to thin humming.
And from some shoulder stones in the road, bordered
by lanky grasses and loam that silence sifts up to a passing
car, through the seat, through the conversation suddenly
paused. No one will be satisfied with how this ends.
Because stories have an ending here; inside space
even a conversation can lose its way. A couple can fall
asleep angry, both certain the other stopped speaking first.
Neither consider the stone. And the stone sits untouched
in a cage of stars, a cage the night presses down
over the grass, and the voice of everything passing
by is swallowed up, until it isn’t.