Читать книгу Visual Communication - Janis Teruggi Page - Страница 21
Smartphones and Visual Culture
ОглавлениеSmartphones have become so central to social life in many countries that the prospect of losing one's phone is more distressing than losing one's car. Owning a certain type of phone or wearable technology also communicates aspects of your interests, beliefs, and priorities. Today, most people in most countries are swimming in media images or being monitored by cameras in most public and private places. Signage and outdoor advertising are everywhere.
People are sending and receiving messages on screens of all types, large and small. Smartphones and tablets capture both the mundane and extraordinary in digital photography and video. Individuals are creating their own reality shows in real time, broadcasting their activities to users who can favorite or save the videos for later viewing or redistribution. Some people post funny animal videos (Figure 1.1), others create videos aimed at inspiring and motivating, and still others vlog with beauty advice. Some of the myriad of postings are more instructional such as how to install a garbage disposal, how to build and fly a homemade drone, and even how to give an opossum a pedicure.
All these technologies and their diverse applications affect how we see others and our environments, how we are seen and see ourselves. Some suggest that the visual web is a phenomenon largely fueled by social media, smart phones with sophisticated cameras, and apps that make it easy to create and share visual media (eMarketer, 2015). Hubspot lists the 10 best user‐generated content campaigns on Instagram, for example, the UPS Store showcases a behind‐the‐scenes look at small business owners; online furniture store Wayfair lets customers showcase the results of their online shopping sprees; and Netflix lets fans promote their favorite shows and movies (Bernazzani, n.d.).
Figure 1.1 Smartphones and visual culture.
Source: Supparsorn Wantarnagon/Alamy Stock Photo.